West Valley City is a city in United States with around 140 thousand residents, and the work here is bars, private parties and weddings as much as clubs, which means open-format skills pay. Four decks, key-locked tempo moves, harmonic suggestions and a controller mapping that survives the venue changeover.
No installer needed to start, no licence needed to try — the browser edition is the full four-deck studio.
Four TITAN-3K decks with sync, cue, loops and hot cues. A 4-channel mixer with EQ, filter and per-channel FX.
Analog-feel turntables with jog scrub, pitch-bend, key-lock and a 7-button transport row for instant cue setting.
Off-thread BPM and key detection, harmonic Camelot guidance, and AUTO-MIX with explicit FROM / TO selectors.
Interactive lessons with XP, progress and live highlight cues — learn DJing the same way Duolingo teaches a language.
64-pad sampler, recorder, drum-machine patterns and a library of trance / house / techno presets, studio-grade.
Service Worker keeps the studio working without Wi-Fi. Sync your library and sessions to the cloud when you want.
TITAN was built side-by-side with working DJs on Pioneer CDJ-3000, Denon Prime 4 and Allen & Heath Xone — every jog response, EQ curve, FX phase and master limiter is benchmarked against the gear you'd find in a real festival booth.
✓No corners cut · no "lite" engine — the same DSP techniques powering desktop DJ software, delivered through a tab.
Whatever the room is — a basement, a rooftop, a wedding, a radio slot — the workflow is the same: load from your library or a URL, let the analyser find BPM and key, and use the harmonic suggestions when you want a transition to land cleanly. The four-deck layout means you can hold a loop on one deck while you cue two more, which is what an open-format West Valley City set usually demands. Recording is one keystroke, so a set you play tonight is a mix you can post tomorrow.
Every knob, fader and pad you'd find on a flagship club setup — modeled in the browser, wired to a Web Audio engine that doesn't blink. Drive it with a mouse, a touchpad, or any class-compliant MIDI controller.
Four of them. Pure muscle.
4 channels · zero compromise.
Mastered the moment it leaves the booth.
No installer, no driver dance, no licensing migraine. The studio boots in your tab, your library follows you, and the AI is already warming up the next mix.
Drag MP3, WAV, M4A, or paste a YouTube link. TITAN auto-analyses BPM, key, energy & cue points off the main thread — the UI never freezes.
One tap puts decks in phase, hot cues snap to bars, smart loops respect the phrase. Wrong key? Camelot suggestions glow on the next track.
Beat FX, Scene FX and the X/Y pad ride the beat grid. Sweep filters, dub-spiral the breakdown, freeze a moment with a one-shot roll.
One click renders the full mix or per-channel STEMS to WAV. Push to the cloud, drop into TITAN LAB for re-edits, or stream to your community.
For the scratch DJs, the digger crowd, and anyone who learned on Technics — TITAN VINYL models a real turntable: slipmat friction, torque, start/stop ramp, tone-arm tracking. It feels like wax. It sounds like vinyl.
1.6 kg-cm starting torque, 0.3-second ramp to 33⅓ — feels like an SL-1200 powering up. Stop the platter mid-spin and the music slurs to a halt naturally.
Slipmat friction, jog-bend, baby scratches, chirps and crab cuts. The audio responds to wheel acceleration the way a real cartridge would.
Switch speeds with one button. Pitch ±8% / ±16% / ±50% ranges, soft key-lock, and audible pitch artifacts when you push it past pro range.
Set a marker mid-spin, drop the needle on the down-beat, fire instant returns. Designed for hip-hop, scratch and turntablist workflows.
Curated EQ, FX and mastering chains for the genres you actually play, starting with the ones West Valley City floors ask for. Each preset is tuned by working DJs, then road-tested on real systems.
Switch focus between two decks, four decks, or full-stage performance — instantly. Hide the mixer when you ride an external one. Drop into Booth Light when the room goes dark.
Two large decks flanking the full mixer — the classic 2-channel club layout, optimised for laptop and tablet screens.
Four decks visible at once for back-to-back B2B sets and long mash-ups. Every channel reachable in one glance.
Internal mixer hidden, two oversized decks fill the screen — ride your real-world Pioneer or Xone without a screen fighting it.
Stage-ready performance view with booth-light halos, big BPM, dimmed UI chrome — readable at 2am under haze and lasers.
When the set is done, the LAB takes over. A 64-pad sampler, drum-machine sequencer, recorder and pattern library — all in the same browser tab, all in the same Web Audio engine.
Drag any sample, slice a loop, chop vocals. 8×8 grid with velocity, choke groups and per-pad pitch.
16-step grid with 4 banks, swing, accents and step probability — program a pattern in seconds.
Capture the master bus, the mic, or the LAB output to WAV. Trim, normalize, drop straight into the library.
Studio-grade kits & patterns for trance, house, techno, D&B, hip-hop & more — remix-ready, royalty-free.
The numbers behind the noise. Every signal path, from track decode to master out, is treated with the same care as a desktop DAW.
Industry-standard 48 kHz throughout. 96 kHz oversampling on the master limiter for transparent peak control.
Internal 32-bit float bus, 24-bit WAV render. Zero truncation noise, full 144 dB dynamic range edge-to-edge.
Sub-5 ms latency on modern browsers, sub-3 ms on the desktop edition. Scratching feels like vinyl, not video calls.
Selectable ±8% / ±16% / ±50% ranges. Soft key-lock keeps melodies in tune; pitch-bend is sample-accurate, drift-free.
BPM, key, transient and waveform detection run in 8 parallel Web Workers. The UI never stutters, even mid-mix.
Delay, echo, ping-pong, reverb, filter, flanger, phaser, roll, dub-spiral, sweep, helix, shimmer — all beat-synced.
The TITAN Desktop installer ships the same studio with native MIDI, ASIO drivers, system-level low latency and full offline support — signed and notarized for every platform.
TITAN-Setup-x64.exeTITAN.dmg — universal binaryTITAN-x86_64.AppImageInstallers are released per licence: buy the desktop edition, we confirm the payment, an admin approves your order, and the download appears in the studio under SUPPORT → DESKTOP APP for the Google account you bought with.
Own the desktop edition outright with a year of updates and support, or stream the browser edition every month — cancel any time.
Desktop installers are licensed downloads: after purchase we confirm the payment and an administrator approves the order, then the builds appear in the studio under SUPPORT → DESKTOP APP for the account that bought it.
Other United States cities within reach — useful if you tour the region rather than one room.
“Opened the tab on a friend's laptop, mixed a 2-hour set without a single dropout. TITAN-3K's jog feels exactly like my CDJ at home.”
“AI mix isn't a gimmick — the harmonic suggestions actually save me from awful key clashes when I'm crate-digging at 2am.”
“I teach DJing to teenagers. Zero install means I can drop them into a real studio in seconds, even on school Chromebooks.”
DJ TITAN's browser edition is free, needs no signup and runs four decks with key detection — enough for club, bar and home sets in West Valley City.
Yes. Any class-compliant USB MIDI controller maps in minutes, and the mapping is saved, so a venue changeover does not cost you a set.
Loaded tracks play from memory and the desktop edition never needs a connection at all, so a dead network does not stop the music.
Yes — house, techno, hip-hop and bass all work the same way: tempo range up to ±50%, key lock, harmonic suggestions and twelve effects.
Pre-sales, licensing, integrations, bug reports, feature requests — everything routes to a real person, replied within 24 business hours.
The contact form lives on the studio itself, next to the pricing table — it routes to the same inbox and the same two people.
Stop reading. Start mixing in West Valley City. The studio loads faster than your next track.